Bloemaert settled in Utrecht in 1593, and within a decade began to adopt the mild classicism that Goltzius had brought back from Italy.
Utrecht was the leading Catholic centre in the northern Netherlands during the Middle Ages and the Renaissance, and even during the seventeenth century, when Catholicism was suppressed, it continued to keep something of its Catholic character.
Bloemaert, a devout Catholic, received commissions for large altarpieces from patrons in both the northern and southern Netherlands, and many of his more than 600 prints were intended for a Catholic clientele.
