Иконостас Антигуа {1081}
Antigua Altarpiece
Juni tried to produce a classical work in an architectural framework - the firt he ever used. Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism. The iconography of the Valladolid altartpiece is somewhat confused; several statues of male and female saints are mixed with scenes of the childhood and the life of the Virgin. The same confusion is found in the alternation of large statues and relief panels. Juni was above all a statue maker, as can be seen from the relief representing the birth of the Virgin. His main preoccupation is the rendering of the third dimension. The carving is self-assured, the volumes well-defined in the expressive composition. The influence of Durer's woodcuts has been suggested as the explanation for such clarity of outline.
Жуни Ж. де
Juan de Juni
Валладолид: собор (1922 )
Valladolid: cathedral
Рождество Марии
Birth of Maria Распятие с предстоящими
Crucifixion with attendants . . .
Дерево. Резьба.
Carving. Polychrome wood.
предмет с изображением:
Virgin museum
Peter museum
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