The Zurich panel, with its more full-bodied and densely grouped figures, is closer to Giotto’s style than the master of the panels.
This icon became a model for later crucifixions, e.g., a fragmentary crucifixion in the church of Heilsbronn near Nuremberg, and the two mounted Pharisees appear, albeit altered, in the "Crucifixion" in Berlin, dated mid 14th century.
The group beneath the Cross is repeated exactly on a panel by a Salzburg master around 1420 in Altmьhldorf (Bavaria).
It was probably originally combined with icon {4200} in an altarpiece, as would seem to be indicated by the identical dimensions of the two icons.
